教員情報 - 柴山　拓郎 | 東京電機大学

シバヤマ　タクロウ SHIBAYAMA Takuro
柴山　拓郎

所属東京電機大学理工学部理工学科　情報システムデザイン学系

東京電機大学大学院理工学研究科情報学専攻

東京電機大学大学院先端科学技術研究科情報学専攻

職種教授

学会発表
1.	2026/05/15	Acousmatic Listening as Predictive Scaffolding Transfer (San Pietro a Majella Electroacoustic Conference (SPaMEC) 2026)
2.	2026/05/15	From Listening to Making: A Pilot Study of Creative Self-Efficacy in a Participatory Sound Montage Workshop (San Pietro a Majella Electroacoustic Conference (SPaMEC) 2026)
3.	2025/12/02	Validating the Effectiveness of Instructional Method in Electroacoustic Music Creation through Acoustic Structure Analysis (Asia Desital Art and design (ADADA) 2025)
4.	2025/12/02	Theorizing Creative Inference through Participatory Electroacoustic Music Creation by Non-Experts (Asia Desital Art and design (ADADA) 2025)
5.	2025/07/23	Design of A Syntax-analogy-based Learning Tool For Enjoyable Harmonic Education Using Natural Language Structures (19th International Conference on e-Learning and Digital Learning 2025 (ELDL 2025))
6.	2025/07/23	Interactive Soundscape Installation “Urban Green Symphony Ver.4.0” (18th International Conference on Game and Entertainment Technologies 2025 (GET 2025))
7.	2024/06/01	電子音響音楽の制作指導法の妥当性に関する検証 (先端芸術音楽創作学会, 第54回研究会)
8.	2023/07/18	Teaching Methods for Sharing The Creation of Electroacoustic Music with Inexperienced People (16th Game and Entertainment Technology 2023)
9.	2023/06/16	Quantifying the Extended Acceptance of Pioneering Art Music Through the Creation of Electroacoustic (Sound and Music Computing Conference (SMC) 2023)
10.	2020/02	Development of Agents that Create Melodies Based on Estimating Gaussian Functions in the Pitch Space of Consonance (Human-centric Applications of Multi-agent Technologies (HAMT) 2020)
11.	2019/01	Development of Agents for Creating Melodies and Investigation of Interaction between the Agents (11th International Conference on Agents and Artificial Intelligence)
12.	2018/08	Music Generation System Based on a HumanInstinctive Creativity (Computer Simulation of Musical Creativity (CSMS) 2018)
13.	2018/01	Development of Generative Artificial Ambience System Based on Entropy (10th International Conference on Agents and Artificial Intelligence, Special Session on Human-centric Applications of Multi-agent technologies (ICAART–HAMAT) 2018)
14.	2017/12	A Tentative Assumption of The Electroacoustic Music As An Enjoyable Music for Diverse People (14th International Conference on Advances in Computer Entertainment Technology (ACE) 2017)
15.	2017/09/25	Investigation of a Computational Unit Model for Mode and Rhythm Based on Deviations from and Realizations of Musical Expectations (13th International Symposium on Computer Music Multidisciplinary Research (CMMR) 2017)
16.	2017/05	音楽における期待感の逸脱・実現の計算論的定式化の試み (第31回人工知能学会全国大会)
17.	2016/06/08	音高と音価の情報量操作による音楽と言語の構造 (第29回人工知能学会全国大会)
18.	2015/09/02	The influence of expressive accompaniment on a player’s emotion and expressive nuances in a percussive duo performance (International Symposium on Performance Science)
19.	2014/03/13	直感性とカスタマイズ性を両立するユーザーインターフェイスシステムに向けて (情報処理学会第76回全国大会)
20.	2013/02/23	ラップトップ音楽作品『Internal Sound Flow』の制作と表現 (先端芸術音楽創作学会)
21.	2012/12/23	音楽情動コミュニケーションにおけるネットワーク構造 (先端芸術音楽創作学会)
22.	2012/11/11	音楽情動コミュニケーションにおける身体的様相 (日本音楽知覚認知学会)
23.	2012/09/29	考えられないことを考えられるようになること(1)～逸脱する芸術表現 (先端芸術音楽創作学会)
24.	2012/09/29	ミュージック･コンクレートの制作ワークショップへの参加による感覚の変化 (先端芸術音楽創作学会)
25.	2012/08/22	Melody Gener-ation System Based on Generalization by Human Causal Intuition (SICE Annual Conference)
26.	2012/08/04	An explanation for status of listening to the late musical works of Morton Feldman by cognitive point of view (Cognitive Science 2012)
27.	2011/05	What We Listen to With Music, Seeking a General Theory of Musical Emotion with the Aid of the Humanities Perspectives (Asian Conference of Arts and Humanities)
28.	2010/09/25	音楽における情動の理解と活用に向けて (先端芸術音楽創作学会)
29.	2010/06/20	文脈構造の空間的散逸による音楽表現の拡張に関する研究と実践〜新たな表現理論の創出をめざして〜 (先端芸術音楽創作学会)
30.	2010/03	文脈構造の空間的散逸による音楽表現の拡張に関する研究と実践〜新たな表現理論の創出にむけて (第4回内部観測研究会)